Originally posted by -Srushti-
Hi Minaxi😳
Haha...no dislikes??? not fair...There is only one wish...If Mohit can use some voice modulation ,,,,I personally would prefer a bit of mature voice ...Dont know...this one might grow on me later on...
But the BG tune is EXCELLENT...Kudos to the singer and the musicians...I actually hear it with my bufferring head phones on...and WHAT A GREAT EFFECT it gives.!!! Amazing!!!!
and the way Shivji entered..the cinematography was just par excellence...Ofcourse Sati on her expedition scenes were also awesomely shot...but the entry and Sati's automated walk towards him...as if she could not resist and doesnot even know what world she is in...It had an out of the world kind of atmosphere and Mauni was excellent...
I was only wondering that did Shivji's Natraj swaroop come out before his marriage?? I mean I know that he is the Aadi Dev and the pioneer of dance...But I thought his Natraj swaroop came out only when Sati immolated herself...that is in his Rudra swaroop...
Both the Rishis...Dadhichi and Bhrigu are damn good actors..with wonderful accent...and Surinderji (Daksh) has always been awesome in his dialogue delivery...
And i really hope i can get hold of that Shiv chant...I cant find that anywhere...but the last tandav score was also damn good...and yes as you said..the use of Damru is awesomely donE!!!!
Yes no dislike, so far there haven't be major hope ot stays this way.
In Shivji's entry scene the way Sati got drawn toward him portrayed meeting of eternal divine souls, so well, it was fantastic.
I think Mohit withhis soft voice is showing calmer, peaceful side of Shivji. When he will portray angry Shivji, it will be different.
Dance was not tandav, in case of tandav everyone will get affected, here it looked like Shivji was in his own happy world, expressing peace & happiness.
The shloka Karpura Gaurm... echos in my mind all the time. The 1st half is sung in high pitch indicating invocation of Lord Shiva & 2nd half melodious, calming down, it's supperb.
