Mahadev's Mad Messengers - Messenger # 1

After this brilliant summary!!

It is time for

the Brilliant

SCENE OF THE WEEK

by

None other than!!

Our completely, absolutely and Totally Romantic!!!

HEMLATHA

So after this romance in the air scene of the week we now have

Dialogue of the Week

Best dialogue delivery of the week would definitely go to

Rishi Dhadeechi

"Yadi aisa hi hai ' toh suniye Prajapati Daksh '

Mein Rishi Dhadeechi ' apni tapasya ko sakshi mankar'. apko yeh shrap deta hoon'. ki app ka yeh yagya kabhi paripo*n nahin hoga"

After listening to this dialogue I almost felt like getting up from my sofa and give him a standing ovation ...!!! 👏 (mayb a few whistles too ' but that's jus me ' too filmy' hehe😆)

Another dialogue which impressed me... and was a little gyani types was this one 🤓:-

Bramhadev:  Daksh mera putra hain ' main use samjhaonga

Mahadev:  Ahankar ka koi pita nahin hota Bramhadev!!

Ahankari manushya ke sare sambandh toot jate hain

Jo pita apni putri ke hriday ko na samjh paya'. who pita ke vachan ko kya samjhega

Powerful and truly touched our hearts !! Also everytime Mahadev says anything against Ahankari Daksh my heart jumps with joy LOL🤪 (just kidding)

 The entire week has been an emotional one ' and a very sad 😭one indeed with our Mahadev in a lot of pain🥺 ' being able to see the future yet helpless and on the other end our Sati ' bound by her human form not knowing what lies in her destiny '

Hence for me the Dialogue of the Week has got to be the one where I bet everyone cried buckets ' subtle and yet so much love overflowing!!

Mahadev to Vishnu :

"Bas meri sati wahan gayi hai 😕' uska apmaan na ho yeh apka dayatva hain😭

Kyonki mein apna apman seh sakta hoon ' Sati ka nahin💔 !"

And to think '. When Shiv said this dialogue he seemed almost Human. We could totally feel his pain, helplessness, care, love. Although a very clichd line but trust Mohit Raina👏 to carry off this line so well to the extent that it brought tears to our eyes and practically crushed my heart to a million pieces.

A power packed week all in all !! Hope you enjoyed reading this segment ... stay tuned for more ..!! Till then this is Aashi signing off 😉

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Brilliant Cinematography Scene of the Week

By

Welcome again!!!

Our Brilliant view wali!!
*Drum Rolls*

Shruti


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Its hard to belive but DKDM doesnt exactly have a set,nor does it have locales-Majority of the work-be it Kailash,Dakshas Bhavan,Patal Lok etc is done trhough Part set-Part VFX.Kudos to Hardhik Gandhi for the VFXand Nikhil Sinha for the brilliant direction-making the scenes look like they are straight from a Raja Ravi Verma Painting😳!

This whole scene of Sati entering the Yagya was haunting-in terms of the picturalization beyond brilliant.Satis shadow against the bright outside,her entering the Yagya amist everyones shocked expressions.The fire set against Satis anguish,and indication to the BIG calamity that lies  just a few minutes away-a brilliant way of showing what the future holds for Sati.The Yagya seqeunce is also Particluarly Brilliant in terms of the effects-this whole scene was shot in a closed set,but through effects and animation its made to look like it was actually shot in an open area,with no roof,Take a bow Nikhil Sinha and team.👏

HEMLATHA

Oh dont cry people...
Because aa rahe hai na...
Humare Mahadev...

To wipe our tears..and blast our fears

Please welcome!
Again!!

Sanjana

MINAXI

Sati reaches in Treta yuga, looks for Ram & Lakshman every where, but can not find them. She spots a rishi. Goes near him. He was rishi Walmiki.

Sati: Rishivar have you seen Lord Ram, I want to meet him.

Walmiki: Who are you? Why do you want to meet Ram?

Sati: I am Sati, I had tested Lord Ram, due to that Mahadev is angry with me. I want to ask Ram is there any way to get out of this sin.

Walmiki: Pranam mata Sati. I am Walmiki, I have written the Ram-katha. I consider myself very fortunate today having your darshan. Mata how can I be of any help?

Sati: Please tell me where can I find Ram?
Walmiki: Mata, I have written the Ram-katha , which I have seen with my divine vision. Nowhere in that you come to test Ram. So how is this possible that you've met him? Now you can't meet Ram here, because he has already left this yuga.

Sati: Please explain to me in detail.

Walmiki: Ram avatar got over some time back. That's why you can not meet him.

Sati is sad again.

Walmiki: But I know where can you find him at this moment. Before that please clear my doubt mata. The writers have not allowed you Aadi Shakti status, so how is it possible for you to come in Treta yuga from Satyuga?

Sati: It is true they have not allowed me Aadi Shakti status. But I am allowed Time-travel & once in a while they allow me to appear as Aadi Shakti, when Mahadev is in problem, otherwise I am a human.

Walmiki: Mata big injustice is done with you. You will find Ram in Dwapar-yuga now, he has taken avatar as Krishna, you please go & meet him immediately to find the solution.

Sati thanks him, closes her eyes. Destination-Dwapae yuga. Purpose- Meeting Ram, who is now Krishna.

Sati opens her eyes, finds herself in a forest, where a 8 year old boy is playing flute. Cows are mesmerized by his flute tune. She too gets drawn towards it. That boy has stopped playing flute now.

He spots her. Comes running near her. He greet her

Kanha: Pranam Devi Aadi Shakti.

Sati: Prabhu, you are a small boy now.

Kanha: You look worried, what has happened? Looks like Mahadev is still angry with you.

Sati: Yes, that's why I want to know a way from you, so that he will forgive me.

Kanha: Mahadev is Bholenath, he can not remain angry with you for such a long time. You do not worry about him. Even Sita was angry with me for rejecting her. That's why in this avatar I will not reject Devi Lakshmi, she is going to marry me in her 8 different forms.

Sati: It will be difficult for you in future living with all her forms.

Kanha: We take avatars to show humans the way of living in various circumstances, we have to undergo many pains & problems of the human body & set a good example. I'll set a good example of Karma-yoga in this Avatar.

Sati: Now I have understood everything. I'll take your leave, Mahadev must be worried again for me.

Sati closes her eyes, is back on kailash, feeling much better after meeting kanha.

Chalo now bring out your Magnifying lenses..

.As we go on a Karamchand Journey with

Deboleena

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And find the

Blooper of the Week

Well, this all is this weeks Blooper of the Week...in the first night epi Chandrama n Nagraj transform them into a human body n ask permision..that time Mahadev k neck n head pe sneak n chandra nehi tha but Daksh k yagya main jane k liye permision lene wale epi me jab bo permision k liye aye human body me tab mahadev k neck me sneak n head pe chandra tha...😕

 

n 2nd is Jata k neck main wo sneak wala neckles yaad hai?wohi neckles Nagraj k neck pe bhi tha...😉😆..

 

oh God...kitne blooper hote hai...God k show me bhi blooper...but from this 2 bloopers 1st one should b the Blooper of the Week...😆😆..ab wo show hi kaya jisme koi blooper na ho...😆😆...

Oh apparently Dakshu is losing his touch...because this time it is not him but his dear Daughter who made it to this section...Okie no offence because she is a goddess...and I respect her..but apparently this show is all about teh humane aspects of God...And so i guess it will be okay if I do bang my head on the childish hatth that she had made...It was almost like she would anyminute hit the ground and start banging the floor on all fours...nah 

Among the most famous of all transcendental weapons is Lord Shiva's Trishul, which emanates power & energy. Lord Shiva's Trishul, or trident, has come to be associated with numerous triad attributes. Held in Shiva's right hand, it represents the three gunas.Sata, Rajas, Tamas. The three prongs represent the three shaktis of Shiva: iccha (will), Gnana (knowledge), and kriya (action). Trishul's points also symbolize three aspects of Shiva: paramashiva, parashakti (paranada or shiva-tattva) and parabindu (parameshvara or shakti-tattva).

Shiva is known as the Lord of Omkara (Omkareshvara), thus in transcendental sound, the three points of Trishul are associated with the three syllables of Omkara: A (akara), U (ukara) and M (makara).

Functioning as the primary weapon of Shiva the Destroyer. Trishul is said to be capable of destroying the three worlds. The Trishul is known to be used by other divine personalities associated with Shiva. Durga Ma carries Trishula as one of her many weapons.

Trishul is commonly said to represent various trinities such as creation, maintenance and destruction, or past, present and future.
It also represents the place where the three main nadis, or energy channels (ida, pingala and shushmana) meet at the brow. 
Shushmana, the central one, continues upward to the 7th chakra, or energy center, while the other two end at the brow, there the 6th chakra is located. 
The Trisula's central point represents Shushmana, and that is why it is longer than the other two, representing ida and pingala.

 Scripture:

Devi Geeta or Bhagavati Geeta:

It is the magnificent dialogue between Himalaya and the Divine Mother, when She declared that She would take birth in his house as the Goddess Parvati. Himalaya asked, "How shall I act when I become the father of the Divine Mother? What will be my attitudes towards life? What will be my spiritual discipline? How can I remember Your divinity all the time?"

Devi Gita teaches both the worship of the deity with form and the meditation on the Cosmic Divinity beyond form and knowledge, It is a compendium of spiritual disciplines constantly weaving its tapestry of harmony so that all actions in life become expressions of the longing for the highest attainment.

It is an excerpt from a much larger work, the Srimad Dev Bhagavatam. This self-contained text describes an incarnation of the Devi, the Goddess. She discourses on her nature, and how she wants to be worshipped, particularly with Yogic practices, meditation and rituals.

Devi Gita constitutes the last ten chapters of the seventh Skandha of the Devi Bhagavatam. In the puranas, one will find several gitas and many mahatmyas. The differences are that in the mahatmya, the glorification of the deity is by recounting the various deeds of the God and offering praise to the divinity. A gita, on the other hand, is a direct revelation of the truth from the disciple, which often includes the manifestation of the cosmic form. While mahatymas emphasize bhakti, Gita stresses a balance of bhakti and jnana.

The setting of the Devi Gita is introduced by Janamejaya's query to Vyasa regarding the supreme light who became manifest on top of the Himalaya mountain. Vyasa talks about the demon Taraka, who has obtained a boon that he can be killed only the son of Lord Shiva, knowing fully well that Sati has immolated herself. Therefore, the gods became scared and went to Himalayas and worshipped Her asking to born and marry Lord Shiva. Shakti then appears before them and grants them a boon that her manifestation will be born as Gauri as the daughter of Himavan. Himalaya becomes choked with emotion when he hears that She, whose belly contains millions of universes, is about to become his daughter. He requests as follows, "Proclaim to me your nature, and declare that yoga conjoined with bhakti and that jnana in accord shruti whereby you and I become one."

In the Devi Gita, following Himalayas request, the Devi proceeds to describe her essential forms. The Devi declares that prior to creation, She is the only existent entity, the one supreme Brahman and is pure consciousness. Then She outlines the basic evolution of the causal, subtle and gross bodies of the supreme Self when enjoined with maya. Then She reveals Her forms (both the frightful and pleasing) to the gods and Himalaya . Then follows a detailed summary of the yoga, the stages of bhakti and the ways to attain Her.

Devi Gita is both simple and profound. It is different from other gitas in the respect that statements are clear and can not be reinterpreted according to one's taste. For example, several commentaries have been written on the Bhagavad Gita of Krishna , wherein each commentator feels differently regarding bhakti and jnana. But Devi Gita is clear: "Even when a person performs bhakti, knowledge need not arise. He will go to the Devi's Island (similar to Brahmaloka). Till the complete knowledge in the form of my consciousness arises, there is no liberation." Similarly, the words of 'coming' 'going' 'becoming' cause confusion since one can not 'become' Brahman, if one is already one. The Devi Gita provides a clear explanation that all these terms are applicable only as long as one in maya. It is the clarity of these terms and the simple explanation of complex vedantic and philosophical questions that makes Devi Gita unique."

Basically, We fell in love with this serial because the characters are so humane, so here I come again with

The Scene that made you fall again for the story

By

Srushti

Ah!! What to say..in spite of the bloopers and distortions...this story still remains very close to our hearts..

The scene which made me fall again..all over again was the one when Mahadev is addressing Brahma and Vishnu..saying that Dakshu has put them in a hopless situation...and the way he almost pleads both the deities to take care of 'My Sati'...as he wont be able to bear her insult...You have to feeel for the helplessness in love that he is feeling..able to see the future so clearly...yet not able to stop it..not able to bring that 'Vairagi' feeling..and let the future happen...Trying his best to stop the inevitable..Oh the hopelessness of love...which is more hopeless when it comes to a helpless God!!!

So this is the was the week

But did you think that it is over??😲

Nahhh!!!!!!😎

It is time for the

Awards of the Week

Aa bail mujhe Maar moment of the week

Dakshu stopping Sati while she was leaving the Daksha bhavan...I mean that was his goat head (Fate not Sati) walking away ..and he had to say...Ruk Ja Sati and abuse😡 Mahadev!!! Isey Kehte hai...Jab gidad ki maut aati toh woh sheher ki taraf bhaagta hai and Goat head ki baari aati hai toh usey goat bada handsome lagta hai🤣


The Dada-Poti connection moment

Poor Mahadev...had just managed to send Sati after her nonstop 'Mein yagya mein jaungi jaungi jaungi jaungi'...without himself ..(Daksha bhavan nahi beauty parlour ho gaya...😕..)  .and finally when she leaves...her dada comes and tells Mahadev to accompany them ...arrrey bhai...Mahadev kya banner laga ke baithey ab? 'Mein Sasural nahi jaungaaa...Doli rakhdo kaharon (Credit : Anand Bakshi for Chandni😛)...

The Topless moment of the Week

Ok so dont be so besharam...I did not mean anyBODY...I meant Dakshu bhavan...Whereever did the Roof go...Or was it that Harry Putter wali Chhat...??? Suddenly the rooftop disappeared??

De Ghooma ke Moment of the week

Which one other than the last Dialogue...Dakshu called Mahadev '_________'!!!! Argghhh Dakshu!!!😡
I wanted to

Taaliyan and seetiyan moment of the week!!

When Dadhichi called Dakshu Deaf and dumb🤣...Oye...Kya maara haii..!!!! .Kaash he would have said it right in front of the whole jam packed hall...he would have definitely received a standing ovation👏👏😆

The Editor's note

Okie so this was the first issue...Hope you guys like it...I know it is late...but we just had a brain wave and it started at the last moment...and I always take years to make posts...somehow...So am really sorry!! Secondly...there might be segments which you think are funny..but please dont take them otherwise...We respect Mahadev and Sati and all immensely..but since this is a fun forum..we have tried to entertain...one other thing is that the scenes and dialogues are as per the members' individual choice ..they might not be the ones you wanted...but I think it is called writer's liberty😉

With that...we take your leave to see you next week...Dont forget to give us your valuable feedback (dont I sound like high profile editor😆)