Directed by Reema Kagti (Honeymoon Travels Pvt Ltd), written by Zoya Akhtar and Reema Kagti, dialogues by Farhan Akhtar and additional dialogues by Anurag Kashyap, the latest film of Aamir Khan can be classified as a crime drama. Talaash is a story of betrayal, loss of a loved one, deceit and greed set against the backdrop of the city, where only the fittest survive.
Reema sets the tone of the film in the credits, which shows the cross section of working society on a Mumbai night. The camera leisurely captures the road side dhabas, the prostitutes and pimps, the taxi drivers, the beggars who NEED to work through the night to survive. In this lonely night, a movie star crashes his car into the sea-face and drowns to his death. Enter Inspector Surjan Singh Shekawat, who starts to investigate the case. The case appears to be an open and shut accident case, but
Aamir Khan as Surjan Singh in Talaash
Surjan's instincts take him into the underbellies of the red light district in Mumbai. He is helped by a prostitute, Rosie (played by Kareena Kapoor) and tries to put together the missing links. Why did Armaan, the star, sent his driver and his make-up man home and drove his own car, when he was not fond of driving at all? Why did he get Rs.20 lakhs from his accountant in cash in the morning? What happened to the money? Armaan's wife and family blame the cops that they are trying to cover up the case. Surjan suspects that Armaan's best friend and his wife are not saying the complete truth.
At this point of time, Reema introduces other characters in the film. The pimp Shashi, his girlfriend, his chamcha Tehnur (played brilliantly by Nawazuddin Siddiqui) and Reema opens part of the suspense to the audience. And she introduces us to the back story of Surjan, how he lost his son, how he and his wife Roshni are trying to deal with the loss. Despite trying to put together the missing links in the accident case, we realize that Surjan is trying to put together the missing links in how to cope up with the loss of his loved one. He does not know what he is searching for, but he continues searching hoping that it will lead him away from the pain and burden of having watched his son die.
Aamir Khan and Rani in Talaash
The narrative is mostly linear and intentionally slow and Reema insists on connecting the dots for her audience in a detailed manner. And this is sometimes painfully slow but you realize the conceit only when it is pulled right in front of your eyes. What a masterstroke! Unlike Kahaani, to which this film's story was being compared to(no connection there ' it is just a rumour), the conceit here is just the catalyst. The movie continues well after the conceit is revealed and you completely surrender to Reema's narrative. But the best potions of the film are the scenes between
Aamir Khan and Kareena Kapoor in a scene from Talaash
Aamir and Kareena. The sensitivity in which Reema handles these portions is remarkable. You really are very confident about the integrity of Surjan even when he follows her to the hotel room, and this is precisely achieved by the way the director handles these portions. There is one truly fantastic moment where Aamir looks at Kareena silently for a whole 10 seconds (10 seconds silence in movie time is really long) and says "You don't belong here (in the world of prostitution)". Only a confident director (and a confident actor) could have pulled this off.
The final scenes are so inclusive that it brings tears to your eyes and content to your hearts. Remarkable achievement from a director, for whom this is just the second film. This is a difficult film to make where the audience always knows more than the protagonist. And Aamir brings in so much of depth and layers into his performance, that this could be considered one of his very best. From trying to figure out the games Kareena plays with him by giving him information in bits and pieces, to the constant pain he exhibits in his eyes, to trying to be as helpful to his wife as possible to help her cope up with the loss ' the role is multi-dimensional and Aamir does full justice to it.
Rani plays Roshni, Aamir's wife, who shares his loss, and she is simply outstanding. In the beginning, the director gives us only a glimpse of her character and makes us believe that she is unable to deal with the loss. But the character has a fantastic arc and she is the one who is actually positive and full of hope. (I asked Surjan about having a second child, but he did not even want to discuss it ' she shares with a friend; her reaction of genuine warmth and joy to seeing her son's friend is another example). Kareena plays the mystery girl Rosie' a prostitute with a golden heart ' and it is again a difficult role. What Rosie thinks is not reflected in her face, but all along her career, Kareena has played just the opposite. It is the triumph of the director, the actor and the casting director to have pulled this off. In fact the way she plays it is so effortless, but when you look back, you realize how well she had pulled it off. The other supporting cast including Raj Kumar Yadav and Shernaz Patel is excellent and so is the work of the crew. Ram Sampath's background score and Mohanan's camera work deserve special mention.
The team of Dil Chahta Hai, Honeymoon Travels Pvt Ltd, Luck by Chance and Zindagi Na Milegi Dobara have given their best venture till date. So what are you waiting for? The search for this year's best film is over.
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